Wednesday, August 31, 2011

Times of India outdoes itself

I am always annoyed with the TIMES OF INDIA for the pictures they use to illustrate their articles especially their articles based on some ridiculous Research Study. There was once an article about the benefits of drinking water illustrated with a white woman in a bikini splashing out of a swimming pool. I missed sharing that pearl with you. So to compensate, here are three pretty amazing pictures in today's TIMES OF INDIA, Ahmedabad.

On Pg. 12 of today's Times of India - the TIMES TRENDS page appear the following articles:
  • Chocolate reduces risk of cardio-vascular disease illustrated with a picture of a skinny white woman licking her finger dressed in her sexy night gown (I think she is more at the risk of being malnourished)
  • Watching comedy films induces positive emotions and improves health, illustrated by a skimpily clad white woman with a remote.
Scanned from TIMES OF INDIA 31st August Pg.12
The worst of them all, the third:
  • UN warns of Bird Flu spreading in Asia, illustrated with the picture of a white woman (not Asian!), with heavy eye makeup, wrapped in a sheet with a thermometer in her mouth. How very appropriate!
Scanned from TIMES OF INDIA 31st August Pg.12

Well Done TIMES OF INDIA, you make me proud by taking representation of woman in media to an Atrocious new level. APPLAUSE!!

Monday, August 29, 2011

Nandita Das Says...

I watched Firaaq, Nandita Das's debut as a director, followed by Onir's I AM (starring Nandita Das). What a Sunday I had!


My respect for Nandita Das, her work and her person increased 10 fold after I discovered her writings on her website here.


As sort of an ode to her and to entice you to go read her thoughts, here are some excerpts of her writings on various subjects: 
Photo by Vandana Kohli

Of Parenting (2010):
 
"I am daunted by the fact that the child will have hundreds of other influences and there is very little I will be able to do to control them. But I am even more uncomfortable with my desire to want to control those influences, many of which I know I will have problems with. My nightmares are of those influences that will make him want junk food, the gadgets that he/she will want to possess, the extravagant birthday parties that he/she might be exposed to and the competition that the world will impose on the child. My nightmare continues as visions of me being this monster mother who says "no" to everything. My broad principle of believing ‘that freedom of choice is important and with the right guidance, will make an individual discerning' will surely be tested many times over.
... I have to say, while this is going to be testing times, I am also delighted by the fact that my husband and I will be forced to be better human beings. We will have to be more honest and have greater clarity in our explanations than we have ever had. The child is going to observe our actions and responses to his/her questions and not just listen to what we have to say. So our thought action gap cannot be too wide, or else the child may fall into it!"

Of Beauty, Identity and Media (2010):


"I have often wondered why are we supposed to feel proud or ashamed of attributes that we are born into. I have done nothing to be born as a woman, a Hindu, an Indian or dark. But then there are choices I have made through the years that have been mine and if I must be judged, let those be the ones. But this is easier said than done. I am shocked to see the rise in the number of fairness creams, dark actresses looking paler and paler with every film and magazines, hoardings, films and advertisements showing only fair women. You could ask what is there to be shocked, as all this has always existed. But with more women in the work force, voicing their desires and concerns, more debate about gender equality and sensitivity, one would imagine that racism of this sort would be on the decline.

...What with fairytales like sleeping beauty talking about “who is the fairest of them all” and Snow White and Barbie dolls becoming role models for little girls. Right from our childhood the message is clear, and in later years it is only reinforced in many ways. Film songs call a girl gori (fair) or “pardon the dark because it has a good heart” in a song like kale hain to kya hua dilwale hain. Look anywhere and everywhere, there are blatant and subtle reinforcements that only fair is lovely." 

Of Women's Rights Heroines (2009):

"Things have changed over the years, not because of one Jhansi ki Rani or a Sarojini Naidu, but because of hundreds of thousands of women, who have crossed the threshold and taken that step towards freedom and in the process opened doors for other women. When I think of that woman, the one who would have been the first to work outside her home, or the first to drive a car, or the one to see a play...all those things that many of us take for granted. For me, I want to pay tribute to all those countless faceless, nameless women who probably have no idea, what they did for women at large.

But if there was one thing that I would want to change in us women, across class, is the sense of guilt-always feeling guilty for not being able to do our best. The urban working woman is constantly feeling guilty for not being able to be a super wife, super mom, super at her work and all the other roles the society, and thereby she, has thrusted upon herself. Conditioning of generations is not going to vanish in a day, but we need to have faith in ourselves and feel no pressure to prove it to the world
."

Of Firaaq and the related controversary (2009)

"I don’t remember exactly when the seed of this film was sown. It had to do with waking up to newspapers filled with stories of violence; conversations about identity and communalism that would surface deep-seated prejudice and a strong notion of the ‘other’, turning it into a polarized debate. It had to do with meeting many victims of violence and even some who perpetrated it. But, most of all it had to do with those who remained willfully silent. The sadness, the anger, the helplessness kept growing and a deep desire to share all those stories with a larger group of people began to take roots. I didn’t start out looking for a story that I could direct, instead the stories compelled me to become a director.
Courtesy - www.firaaqthefilm.com

Firaaq is my directorial debut film, born out of my own anguish and helplessness about the growing divide in our society. The story is set over a 24-hour period, a month after the carnage in Gujarat. 
...
Often films about violence are full of violence that they set out to critique. But my film is about the fierce and delicate emotions that the characters go through. It’s sad that a film with the intent to move towards understanding our troubled times and bringing us closer to a collective healing, is being pushed in a political space."

Of the Mumbai Terror attacks (2008):

" I got a strange message from a TV journalist that said “Forgiving a terrorist should be left to God. But fixing their appointment with God, is entirely our responsibility. - Indian Army”. Change the word terrorist to Americans/Hindus/Muslims and sign it off by the Terrorist and the meaning is not too different. Such anger, such hatred in a ‘common man’ to me is no less scary. There has to a way out of this vicious cycle, beyond an eye for eye.

I have no idea what I am feeling anymore. It is all muddled and contradictory thoughts are finding its little corners in the mind. All I know is that we can’t afford to be cynical, even in the face of so much hatred and violence, or else it will get only worse. In the morning making Firaaq seemed meaningless, but as I type away furiously, hoping to catch up with the speed of my emotions, I feel I want to share the film with everyone, more than ever before. Because I know this day will end but the residue it will leave, will linger long after, in the form of fear, anger, prejudice, revenge, and will slowly become part of our psyche. We have to save ourselves from all this and have to find a way to understand, empathise and love. All these beautiful words I know have lost their meaning and sound either clichéd or pretentious. We have to reclaim these and make it part of our life, with all our might. "

Of Pakistan and India (2005):

"Every year on 14th August a special event is organized at the (Wagah Border) India-Pakistan border. It starts after the dramatic change of ground ceremony (sometime late evening) and carries on till about 2 am. People separated by just an imaginary line (and barbed wires in some places) celebrate the Independence Day of Pakistan on the 14th followed by India on the15th. I have been wanting to be a part of this collective celebration ever since it started, 10 years ago and finally this year I will be there with over 5 lakh people to reaffirm our faith in peace and harmony! More when I come back.
...
I along with my husband Saumya, had gone to the Wagah border that has divided the two Punjabs since 1947. On the midnight of the 14th of August, we went to celebrate the Independence Day of India and Pakistan, with what seemed like a lakh other people. Kuldip Nayar, a very senior and respected journalist had started a unique initiative with 11 other people in 1995. Everybody thought he was mad to even think such an endeavour would have any takers. But these 12 dreamers marched on to the border with candles in their hands and a firm belief in their heart. Ten years later, a sea of people gathered there to listen to music by performers from both sides of the border. They also heard eminent people speaking on issues of peace and harmony. It was pure euphoria! Then some of us walked to the border with candles at midnight, to reiterate our beliefs. As the peace caravan moved towards the zero line, the security men used force to prevent the people from stepping into the restricted area, but we did manage to go till the gate. "


I could add so many more quotes, but instead I ask you to go read the entire articles here.

Sunday, August 28, 2011

Thoughts for a Green Sunday!

I love writing about gender issues, you all know that by now.  I am also fiercely ecological and try my best to do my part for the environment. Ever since I was 10 yrs old and watching Captain Planet and the Planeteers, I have been a 'put your garbage in the dustbin' and 'don't use plastic bags' kinda girl. It helped that my mother made cloth bags she insisted we took to buy groceries and vegetables and converted vegetable vendors to 'NO Plastic bags here' champions.
Windmill Centre - Avignon, France. Photo by Yann Arthus Bertrand
So here is 'Thoughts for a Green Sunday' for some inspiration:

1. Vandana Shiva, environmentalist and India's strongest voice against Genetically Modified organisms created Navdanya, an NGO working for organic farming and biodiversity in India and based in Dehradun, Himachal Pradesh. They are reinventing traditional farming methods and sharing wisdom from grandmothers' to the current generations. Bija Vidyapeeth or Earth University does residential workshops for those interested in organic farming and environmental issues.

2. Annie Leonard created the story of stuff project. She talks about the real story of mass production and consumerism that has taken over our world. You can watch the amazing video where she describes and illustrates the process here.

3. Yann Arthus-Bertrand, french photographer and filmmaker, is creator of Good Planet a French NGO working for environmental issues. He is director of the movie HOME, shot entirely from the sky. Watch it here. The images are breathtaking, even if the project was not exactly ecological everything being shot from a helicopter. 2011 is the International Year of Forests and Yann Arthus-Bertrand made a short film on forests that you can watch here.

4. A Bangalorian created 'The Ugly Indian' project to clean the streets of Bangalore. Quite an Inspiration!

5. Some concrete action we can take in our own homes - Home Composting. Step by step process to create and manage a compost unit in your apartment here and here. Daily Dump an Indian organisation making and marketing products that help with Home composting and giving us tips on how we can do our little bit.

6. Co-Blogger and Sister dearest D!! writes about ways you can contribute to save the environment in her post Go Planet.

Sunday, August 21, 2011

Thoughts for a Feminist Sunday

I often read amazing blog posts, articles or watch videos that I want as many people as possible to read/watch. What I am trying here is a strategy to do this on a regular basis.

Welcome to the First Edition of Thoughts for a Feminist Sunday!

Below are a list of blogs, videos, articles I enjoyed and would like to share:

1. Video by the menstrual cup making company Mooncup - a song Love your vagina, inspired from the various names women gave to their vagina. I love the mooncup and I loved the song!
(First saw it on Slutty Feminist, Thanks to her!)

2. An article on Sexual Harassment 'Don't Call me Eve' by Eesha Pandit on Bell Bajao a website that works for awareness and the end of Domestic Violence.

3. Excellent article by Afreen Chaudhary, Bangalore based writer, on being a transgender woman and street sexual harassment in the Tehelka magazine.

4. Article on Irom Sharmila and her 10 year struggle to end the Armed Forces Special Powers Act (AFSPA) in Manipur written for the Hindu by Kalpana Sharma.

5. A video by Elena Rossini on the women in arts vs mass media for ARTE/The Louvre museum's project "4 semaines" about women and beauty.

6. Videos of Eve Ensler (creator of the famous Vagina Monologues) talking about how she lived in her head and her disconnection with her body and another video on how a talk with girlfriends led to a movement to end violence against women

ENJOY! Tell me which ones you liked most!

An ode to Amrita Sher-Gil

On August 18th, I went to the play presentation of Reena Jayswal, a student of Arts and Humanities at the  CEPT university here in Ahmedabad. It was part of the Graduate Show 2011 which includes, film screenings, art installations and Photo exhibitions by students.
Amrita Sher-Gil Image courtesy- Sikhiwiki.org

The play was an ode to the painter Amrita Sher-Gil. A contemporary theatrical performance titled "The Sensualist" with projection of photos and videos, narration and acting, it was a complete experience. Reena Jayswal conceived and directed this presentation. Amrita Sher-Gil was interpreted by Heeba Shah who was natural and resplendant. The lovely Ratna Pathak was present for the performance.

The play was in the form of letters written by Amrita Sher-Gil to important people in her life, her mother Marie Antoinette Gottesmann-Baktay of Hungarian origin, her sister - Indira and art critic, admirer and friend Karl Khandalawala. Student of the Ecole des Beaux Arts - Paris, she returned home to explore herself as an Indian painter.
The play was a beautiful ode to the passionate and dynamic woman that Amrita Sher-Gil was. Her boldness when it came to defying the stringent societal rules for women, her openness about female sexuality in general and her exploration of her own sexuality more precisely reveals a women who was ahead of her times.
Self Portrait - Courtesy Wikipedia

All I knew about Amrita Shergill was that she was a controversial painter. She died young at the age of 28, the cause of which is not clear. The play revealed her complex and strong personality. She was a woman who knew what she wanted and refused to let anyone influence her. A revolutionary painter, she was not always appreciated during her time. Bold and outspoken, she lived life by her own rules. Her letters to her sister Indira and mother Marie Antoinette reveal a close relationship with them. Through these letters we are taken on her route to self-discovery through marriage, sexuality, painting, and her search for identity.
Her letters to Karl are moving and reveal a deep kinship but more importantly unveil for us her fierce individuality. The last part of the play an exchange of letters between Amrita and Karl was beautiful owing to the content of the letters themselves of course, but also because of the direction, the lights and the impressive acting of Heeba Shah and co - actor.

In Ahmedabad where there is a real dearth of contemporary art presentations, it was an extraordinary event. To think that I almost didn't go to it. I wouldn't have known but how I would have regretted it!!

Thank You Reena Jayswal for this beautiful experience and for introducing me to the tumultuous and free spirited world of Amrita Sher-Gil and, Heeba Shah who for me is now the living image of Amrita Sher-Gil.

I am now on the lookout for Amrita Sher - Gil - A self portrait in letters and writings edited by her nephew, contemporary artist Vivan Sundaram.
Read Words uttered in Haste's post on Amrita Sher-Gil for more details on her life and paintings.

Friday, August 12, 2011

Whats in a name?!

Of all the women's issues, the one I find most difficult to discuss with people is the practice (or my refusal to accept it) of taking the man's name after marriage. Most people say or think (behind a sigh), what's in a name, if you have got the freedom to have a career, reproductive rights, you are not physically abused or sexually harassed!
And I wonder must I exchange these fundamental rights for other 'unimportant' (to whom?) rights such as the choice of changing (or not) my name?

When a woman introduces her partner as being her husband to a third person, the third person is obliged to ask him, "Hello Sir, What is your name?" and when a man introduces his partner to a third person as his wife the third person says " Hello Mrs. Man" ?!?!?!?!?!?!?!?!? Sounds like Inequality to me!
I am just saying we have the choice, the right to have an opinion (AND WE HAVE ONE!). Ask me what my name is and I will tell you and then use it. Don't assume it! 

I am married, happy in my relationship and love my 'dude' but I didn't change my name, is that difficult to comprehend. What's in a name, it doesn't qualify a marriage as good or bad! What's in a name you say, so why insist I change it! I lived my whole life with it, I identify myself with it, people know and refer to me by it and even if I didn't like it in the first place, (it could happen, sometimes parents have the strangest ideas) it took me N years to get used to it and accept it and now I must change it or you must change it for me without my permission?!?

People always take the liberty of calling me "Mrs. X" without asking my opinion. I have to correct them and I will correct them as many times as I have to and die doing it. Thankfully I have met some people who know the 'dude' and do ask me what my full name is and I am so jubilant about it as if it meant world peace. Yet it is such a normal question, shouldn't it be my right?

It is essential for me to have a choice on how I wish to name my identity. I have made it and I want to be respected for it.
 
I would love to know what you think about it. Do tell!

Note: Of course this comes out of a recent experience, that's why I am boiling over :-)

Wednesday, August 10, 2011

Where are the girls???

I watched I am Kalam this Sunday. The movie was excellent, heart warming, raising the right questions about child labour and deprivation of children from economically weak backgrounds, but it made me think why it is always boys who are represented. Taare Zameen Par was about a boy, Stanley ka Dabba was about a boy. Not only are all these movies about boys they even happen in boys schools so there are practically no girls in the picture.
Don't get me wrong! I love children and I have worked with children throughout my professional life and I loved all these movies for what they stand for. But after the third movie in the recent past about a boy, I am beginning to wonder if there is any particular reason there are no girls.
It is evident in India (and in many other developing countries) girls are more likely to not go to school or dropout from school than boys and girls from economically weak families are more stigmatized than the boys (because of dowry and the whole 'the girl belongs to her husband's house' story) and have lesser opportunities. Watch TED talk on this topic by Sheryl Wudunn (I emphasize more girls in comparison to the boys, I am not denying the stigma and marginalisation boys face too.) Isn't all of this all the more reason to project happy images of school going girls as well? Movies in India are a powerful medium for social awareness, Indians love movies, shouldn't we be using it to project gender equality.

I was telling a dear friend about it and we realised that it was not only movies with children of course. We were talking about how Zindagi na Milegi Dubaara was said to be like Dil Chahta Hai and we realised together that Hindi movies about friendship also mainly feature male bonds. What happened to the magical bond of girlfriends, of sisterhood? Movies often glorify Mother - son relationships, what about mother - daughter relationships? Brother to brother relationships are portrayed or brother to sister relationships sometimes (Thank God!) but what about sister to sister relationships?

 My relationships with my sisters, my girlfriends and my mother are the most important relationships in my life, they have pulled me through the worst of times and have contributed in important ways to the construction of my adult personality, to my feminist personality. The subject of men has come and gone out of our conversations but has never been the theme of our relationship. Yet in a majority of movies if there are important woman characters at all, they mostly exist because of their relationship to some man in the movie.
Evidently it is not just Bollywood movies. Fatal Feminist (a delightful new discovery on the blogosphere for me) writes about Women and Friendship being powerful feminist acts and their under representation in cinema.
See Feminist Frequency's video on the popularly called Bechdel Test for representation of women in movies, such few Hollywood movies actually pass the test. I think the same goes for Bollywood movies.
The Bechdel Test is simple :
1. Are there at least two women with names in the movie?
2. Do they talk to each other?
3. Do they talk to each other about anything other than men?
This test first appeared in Alison Bechdel's comic strip Dykes to watch out for.

Try applying it to Bollywood movies and let me know your verdict!

I am certainly not the only one who thinks Girlfriends and women to women relationships rock.
Bohemian Rhapsody writes about her precious relationship with her girlfriend
Do also read Sayantani's heart warming article about her mother, their relationship and Feminism on her blog Stories are good medicine.

If girlfriends, women to women relationships and sisterhood are such important aspects of women's lives why aren't more movies being made about them? If we are fighting, the cause of the girl child in India, everyday why aren't there more movies about girls?

Fire by Deepa Mehta is one of the movies that came to my mind instantly and the tele-serial Aap ki Antara about a girl child with Autism.

I want to leave you with this song I love, sung by a daughter to her mother, here is Ma - Sagarika.

Tell me what you think and DO tell me of any Indian movies about strong female bonds. I don't know much about regional movies (not all regions in any case) and TV serials, tell me about those that you find interesting. 

Monday, August 8, 2011

The Walls of Shame

The Alliance Française in Ahmedabad organised on 6th August - Saturday, a screening of the documentary 'The Walls of Shame' made by Thierry Denis & Guy Ratovondrahona. This documentary screening complements the photo exhibition Walls between Men that opened on 5th August 2011 at ATMA - Ashram Road. The exhibition is based on the book “Walls Between People” written by Alexandra Novosseloff Doctor of Political Science, researcher and specialist for the United Nations and maintenance of peace and Frank Neisse political advisor in Kosovo who has participated in several peace maintaining operations. 

The book and the exhibition 'Walls between people' focus on 8 walls namely the Demilitarized Zone between North and South Korea, the Green Line that divides the island of Cyprus, the Peace Lines in Northern Ireland, the Berm, a wall of sand that crosses the Western Sahara from north to south, the Barrier built between the United States and Mexico, the Barbed wired Fence around the Spanish enclaves of Melilla and Ceuta in Morocco, the Electrified Fence along the Line of control between Pakistan and India, the Wall between Israel and Palestine.  The book explores perspectives and challenges of the everyday realities of people living on either side of these walls and provides a geopolitical analysis of the situation.

The movie 'Walls of shame', ('Les murs de la honte' in French) explores three of these 8 walls. The barrier between USA and Mexico, the wall between Israel and Palestine and the Berlin wall or rather the fall of the Berlin wall. Interviews with people living alongside the walls and complemented by interviews with international political analysts, the movie is at once empathetic and analytical. While the experiences of the people along the border gives you a human perspective to the situation the analysts give you the complexity of the political climate.

Wagah Border (India- Pakistan) - Closing Ceremony
This must watch movie had a profound effect on me. Belonging to one of the countries that built a wall, it made me question if the building of the wall meant the end of hope for reconciliation. Do the infamous India - Pakistan peace talks mean anything when the wall has already been built? Is the wall not the physical representation of accepting that there is no other way? Did we ever question if the wall solved any of our problems or to what extent it serves the objectives it was constructed for? The Wagah border closing ceremony full of nationalist fervour is evidence that ceremonies such as this one and the electrified fence, further distance people of the two countries from each other and make the other seem more foreign and threatening.

The wall between Israel and Palestine was opposed by a majority in the United Nations and it still exists, the USA and Mexico barrier has been responsible for the death of over 3000 people trying to cross it but the wall still exists.

Walls, concrete, barbed wire, electrified are concrete representations of the barriers in our minds, of the rejection of possible amicable solutions, they represent a state of hopelessness. Like the Palestinian artist says at the very beginning of the movie
"I heard once that in Japan the bars of the jail are made of roses, still its a jail, even if you have golden bars to your cell, its a jail... anything that will stop you from going where you want to go, without any reason but because of who you are is a jail"

To conclude an excerpt from a poem that made a lasting impression on me as a child that came back to me as I was watching the movie:

Mending Wall - Robert Frost

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun,
And makes gaps even two can pass abreast.
..........
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, 'Good fences make good neighbors'.
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
'Why do they make good neighbors? Isn't it
Where there are cows?
But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.

Something there is that doesn't love a wall,
That wants it down.' I could say 'Elves' to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me~
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbors."

Do 'Good fences make good neighbours'?

Do watch the movie, visit the website here.

Thursday, August 4, 2011

The Slut Walk happened!

The Slut Walk Delhi happened on Sunday 31st July 2011 and even if the number of people present were much lesser than expected, it made a point. A number of articles were written for and against it in the newspapers and when it happened it got front page coverage.Wasn't Awareness the goal?!?!

The articles written against the slut walk only strengthened my conviction that the Slut Walk is necessary because people (educated women and men) still think rape and sexual harassment are the victim's fault. The slut walk is not only about victim blaming, it is about making the streets safer for women at any time of the day, dressed anyway they please.

I was talking to some younger friends -  guys who are students at the university, and when I told them the number of times I had been harassed they were like 'What? Really! does that really happen? I have never seen it happen?' That's why movements like the SLUT WALK are necessary so men and women (who have miraculously never been harassed) are told about it. Thanks to the Slut walk and the conversations it led to, 4 young men around me are aware of street sexual harassment. That alone could be worth the Slut walk for me!

To read about the origin of the walk and some worthwhile opinions about the purpose of the walk read Indian Homemaker's blog post on focusing on the real issue and Bohemian Rhapsody's blog post Yes means Yes and No means No.
Read also Feminist Fatale's experience at the slut walk LA and what it 'taught her about her activism' for an interesting perspective.

For those who think the word slut is not appropriate for an Indian movement, I learned the word as a 13 yr old walking back home from school in my uniform, when a man called me a slut and I ran back home to check the dictionary. SLUT! left a mark on my body image and I wish I could have been at the Slut Walk to own it.

The Blank noise  survey indicates the highest number of votes for 'attires eve-teased in' as Jeans and school uniform and I think in my own life those two categories work too and Salwar Kameez. I was studying in a girl's college with a Salwar Kameez dress code, the objective of the dress code must have been to protect me from street sexual harassment as they were no men in the college. Yet, I got abused, groped, ogled at, called names; men, young and old sang their perversion out loud, masturbated against my arm and showed me their precious privates, from cars, bikes, buses, bicycles and autos. So sexual harassment has no age nor socio-economic status and certainly no dress code!

The sense of guilt of being harassed perpetually, no recognition of my suffering from others but blaming of my attitude or clothes has made me ask myself before stepping out if I am asking for it (whatever that means!!). Though I repeat I was mostly dressed in Salwar, or jeans or my school uniform, when I was harassed, so I need not have necessarily questioned my dressing style, but strange are the ways of the mind and societal conditioning. I am trying to break the cage everyday and every time I get harassed (Yes it still happens!) the cage gets a little stronger. This is why I would have liked to be at the slut walk and claim my body back.

HURRAY to the SLUT WALK to its name and more to its objective and HURRAY to all the WOMEN and MEN who were there!